The mission of The Haggin Museum is to advance the understanding and appreciation of the fine arts and regional history for the education and enjoyment of the widest possible audience. This is accomplished through the expansion, preservation, interpretation, and presentation of its collection.
Tuesday, August 30, 2011
Photography: Pictures of Different Days, Different Places
- In France. Provence.
- Outdoor dining in Provence.
Here, Ronda Sanders demonstrates exactly how she likes to arrange the table for the Acorn Pounding activity when Haggin docents travel to the Third Grade classrooms. Ask her about her system.
Little Scientists: These children are attending the first annual UCSF summer science camp where kids learn basic concepts of the scientific laboratory. In this case, how gases behave.
Wednesday, August 17, 2011
Janet Men Prints--Reception Vernissage
Janet Men opened her show of prints on Friday August 12th. Here, in front of prints.
At the San Joaquin County Law Library, 22 N. Sutter St. Stockton
Sunday, August 14, 2011
The Elusive Big Idea--An Essay on Thinking
How many of the thinkers pictured above can you identify? Each of them made a name for himself or herself and had an influence that continued well beyond the time after they departed. The answers are at the bottom. But first, some quotes from an essay by Neal Gabler which are intended to provoke and pique your interest in the full multi-thousand-word essay from the New York Times Sunday edition:
"Ideas just aren't what they used to be. Once upon a time, they could ignite fires of debate, stimulate other thoughts, incite revolutions and fundamentally change the ways we look at and think about the world."
"The ideas themselves could even be made famous: for instance, for "the end of ideology", "the medium is the message," "the feminine mystique," "the Big Bang theory," "the end of history."
"If our ideas seem smaller nowadays, it's not because we are dumber than our forebears but because we just don't care as much about ideas as they did. In effect, we are living in an increasingly post-idea world . . . "
" . . . we live in a post-Enlightenment age in which rationality, science, evidence, logical argument and debate have lost the battle in many sectors, and perhaps even in society generally . . ."
"An artist friend of mine recently lamented that he felt the art world was adrift because there were no longer great critics like Harold Rosenberg and Clement Greenberg to provide theories of art that could fructify the art and energize it."
[Answers to quiz: Top row from left: Marie Curie, Albert Einstein, George Washington Carver and Betty Friedan. Bottom row from left: Charles R. Drew, Germaine Greer, John Maynard Keynes and Marshall McLuhan. ] You might have to paste the URL below into your browser if it does not appear as a blue link.
http://www.nytimes.com/2011/08/14/opinion/sunday/the-elusive-big-idea.html?_r=1&scp=1&sq=Neil%20Gabler&st=cse
Friday, August 12, 2011
Haggin a la Carte
The Sound of Musicology
Patrick Langham, musician and teacher at UOP conducts the annual jazz jamming camp at UOP--with a free concert to be performed at Faye Spanos Theater at UOP on Friday August 12 at 7 pm.
Below are some images from that camp.
Java Jive: Courses in Indonesian gamelan are offered every semester at this Bay Area University.
Saturday, August 6, 2011
'A Walk in the Wild,' John Muir, review
Kenneth Baker, Chronicle Art Critic
San Francisco Chronicle August 6, 2011 04:00 AM Copyright San Francisco Chronicle. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.Saturday, August 6, 2011
Well before the aviation age, John Muir saw more of the world than most of us will.
We learn this from a large floor map tracing his life's travels - on foot whenever possible - at the heart of "A Walk in the Wild: Continuing John Muir's Journey," which opens today at the Oakland Museum of California.
"A Walk in the Wild" includes only a handful of artworks - or more, depending on the status we accord to Muir's many illustrations of his field notes. But the project serves mainly as a test case of the museum's new cross-disciplinary exhibition practice, which renders porous the implicit boundaries between museum departments devoted to the arts and to the social and natural history of California.
[Top: "Muir Glacier, Alaska," oil on canvas by Thomas Hill. Below: The exhibition displays John Muir's writing desk, a case containing his papers and "Mt. Ritter (Crown of the Sierra)," oil on canvas by William Keith.]
Read more: http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/08/05/DD5H1KJ0H2.DTL#ixzz1UGbdUZxyFriday, August 5, 2011
Following John Muir's Footsteps
When John Muir came to California in the 1860s, he went directly to Yosemite just to look around. When Dorris Welch moved to California in the 1960s, she did the same thing. It would be nice to report that she replicated the pioneering naturalist's style by taking a ferry across the bay and then walking the rest of the way to the High Sierra in hobnail boots.
Also, in this San Francisco Datebook article, is this entry Muir made into his journal as he describes how he hiked into a ledge behind Yosemite Falls in 1873:
"I went out on the narrow bench close alongside the wild rushing waters and began to admire the rare beauty of the thin gauzy waters...which formed the edge of the fall. I could see the most delicate threads of its fairy tissue by noting the moon behind it. Wishing to look at the moon through the meshes of some of the denser portions of the fall I crept farther behind it while it was gently wind-swayed without taking thought about the consequences of its returning when the wind would change. The effect was enchanting. Wild music above, beneath, around the moon apparently in the very midst of the wild waters flashing. Out in, among the denser waters now darkened by a rush of comets. I was in fairyland between the black wall and the well illumined waters but suffered sudden disenchantment for I was stricken by a hissing down rush of water that felt hard as hailstones shot from a gun.
- By that instinct that we call ... presence of mind I dropped on my knees, laid hold of an angel of the rock, rolled myself like a ball with my face against my bosom and submitted to the my terrible baptism." [Reprinted by permission of John Muir Papers, Holt-Atherton Special Collections, University of the Pacific Library.]
A Walk in the Wild: Continuing John Muir's Journey: Sat.-Jan. 22 at the Oakland Museum of California, 1000 Oak St. (510) 238-2200. www.museumca.org.
E-mail Sam Whiting at swhiting@sfchronicle.com.
This article appeared on page P - 13 of the San Francisco Chronicle